Cue3Go!

A Weekly DIGEST for teachers and staff who want to level-up support and funding for MANAGEMENT OF their SCHOOL theatre. 

Issue 52

This is the last issue of Cue3Go! for this school year!

Click here for all of the archives.

Thanks for reading!

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Come backstage, and you'll see:

  • Techie Tip of the Week (editorial)
  • Leveling-Up (essential online courses)
  • Dear Techie (advice column)
  • Techie Travesties (funnies)

Join in the conversation

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Techie Tip of the Week


PEOPLE SPACE


Part 3 of a 3-part series on SPACE IN THE THEATRE which will be posted every other week.


One common complication that educational theatre people (teachers, theatre staff volunteers and students) have is that there is not enough storage space, build space and people space built into their multi-million-dollar high school theatre facilities. Understandably space is expensive to provide and maintain, and the theatre is not the only part of a high school, however if it is your plan to create a theatre program ample space must be provided in order to do so.  


As well as object storage you also have to have somewhere to put people.  Most high school theatres that I’ve worked in have one or two make-up rooms that can accommodate about 20 actors, or perhaps one or two closet-sized dressing rooms.  When you are designing a high school theatre, consider that a school production can have 40 or so actors, in addition to a 20 piece orchestra for a musical, and 10 or 15 student crew members.  There can be 70 students working on a production that need to fit somewhere.

In addition, most high schools rent out their theatres to help pay for costs.  One of the main staples of income for most of the high school theatres that I’ve worked at are dance schools.  Dance schools can come with 100 to 150 dancers, aged 2 to 18.  In order to accommodate this number of people, a lot of high school theatres also rent out their performing arts classrooms.  Much to the chagrin of the teachers, who have to put away equipment and supplies – particularly the performing arts teachers (think of a band room).  One choir teacher I worked with insisted that the sound technician come in a half hour early in order to put away her piano and sound equipment before outside events used her room, and stay a half an hour after the event in order to set the equipment back up again.  Because outside events expect to have rental-ready spaces, the technician’s time became a school expense. 

Most high schools can’t afford to have a space be empty during the school year, so it may seem impractical to build a ‘green room’ for performers to only use in non-school hours, but consider the alternate costs that will plague you for the life of the high school theatre.  As a compromise, perhaps a room such as that could be booked for testing during the school day, or other miscellaneous school-day activities, which could be scheduled on an as-needed basis around production schedules.  But even so, the primary scheduling priority should be as a theatre green room.

This editorial is the express opinion of Beth Rand, and is not intended for substitution for professional advice regarding your specific situation or circumstances.

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Leveling-Up

Online courses for school theatre teachers and staff

Courses that leave you empowered with actionable strategies to level-up support and funding for your theatre operations and educating your students.

Check with your admin - many districts will pay for Professional Development!

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DO YOU HAVE TO MANAGE YOUR THEATRE'S OPERATIONS AS WELL AS TEACH!?

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Dear Techie

Dear Techie,

On our posters & program we have traditionally have “Theatre presents…” versus “Performing Arts presents…”, for both the musical and the play. I have been asked to use “Performing Arts” when we advertise for the musical. I have always had the philosophy that when the student musicians play in the pit or the student singers perform in the chorus, each student is a part of the theatre department. It isn't the whole “Choir” singing or the “Band/Orchestra” playing, it’s the students who auditioned for the show who sing and play. In addition, the Theatre Department pays for everything and coordinates it all. I always want to give credit where credit is due, but I just have a hard time with something like this when I want us to be inclusive.
Thoughts? 

Inclusive in CO


Dear Inclusive,

One way to present this to your admin is to ask them to consider that your plays and musicals as “show business” (emphasis: business).  Ask them if they have ever seen all of the credits at the end of a film.  It’s a business!  And your business/production (play or musical) is funded from your department. Many musicians and singers in a movie belong to bands and choirs. But those bands and choirs aren’t billed in the credits. Often times asking admin to consider a real-world application, opens their eyes to what we are really doing here in high school theatre.  Also consider if a choir student (for example) participates in a math competition – does the whole choir get the credit?  No, the math department does.  Also, also – you mentioned that the admin requested this of the musical only.  What if one of the choir students got a part in a play?  I’m not really sure about the motivation behind the admin’s request, nor the logic.

Submit your Dear Techie questions to [email protected].  

-CLICK HERE TO RECEIVE YOUR FREE '8 ACTION STEPS' TO LEVEL-UP SUPPORT AND FUNDING

Techie Travesties


An unruly student was asked to leave the shop.


They weren’t very happy about it,

but they left without making a scene.

Submit your Bad Theatre Joke or Funnies to [email protected].

And finally, always remember....

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Visit Our Site

Why the name Cue3Go?  Because often times (not always, of course) in a show, Cue 1 is house-to-half, Cue 2 is blackout, and Cue 3 is lights up!  We hope this newsletter will light you up each week with ideas and actions for managing your high school theatre.

It is PRESETT's mission to provide information to assist in endeavors for safe and functional operations of school theatres. However, PRESETT is not a safety consultant or professional, and any information provided or advocated is not intended to supplement, not supersede, industry safety training. Always consult a theatre safety specialist about your specific situation or circumstances.

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