E-news Week #33, Two Circles

Bringing the Art to You Week #34 Untitled (Orange and Gold Circle with Brown Curve) , 1986, watercolor on paper, 6” x 8 3/4”. Private Collection. Once Dusti Bongé turned to complete abstraction by the mid 1950s, she never turned back. This does not mean that she ever stopped experimenting, on the contrary she played with scale, materials, color palettes, and shaped canvases. She also explored a variety of media, using oils, watercolors, spray paint, felt tip markers and so on. Her work also continued evolving within its abstract language. The highly expressionist gestures of the 1950s and 60s eventually evolved into slightly more defined, formal shapes. By the 1980s many of her works have clearly defined linear, curving, circular, or rectangular elements in abstract arrangements. Some of the interesting aspects of these works are Dusti’s sense of balance as she places her forms in relation to one another and the character of the marks she uses to define them. This small watercolor painting offers a clear example of these. At first glance there are two oval shapes, roughly the same size that dominate the composition. Their placement at the center of the work might have been static, were it not for Dusti positioning them with their tops slightly titling away from one another. In addition, they are anchored by a curving form that swoops across the bottom of one to the top of the other. This move creates a kind of yin-yang effect with the ovals alternately coming into the foreground or receding into the background. The marks of the brown curve add a real sense of movement with the broad swaths of watercolor accentuated by continuous thin lines. Have you seen this work? Do you or someone you know have this work in their collection? If so, we would love to hear from you. We are continually working to maintain as complete a record as possible, and to determine the location of all of Dusti Bongé's work. If you have information on this, or other works, you can contact us at [email protected] We appreciate receiving any referrals to the existence and whereabouts of artworks by Dusti Bongé. Thank you. You can now view some of these works on our website: https://www.dustibonge.org/missing-works.html Available in our store: The definitive volume on artist Dusti Bongé, by J. Richard Gruber Dusti Bongé, Art and Life: Biloxi, New Orleans, New York Hard bound, 12” x 9”, 350 pages, over 500 color and b&w illustrations Limited edition lithographs of two original Dusti Bongé drawings. Shrimp Boats & Factories, Back Bay Biloxi I and Shrimp Boats & Factories, Back Bay Biloxi II 12” x 16” drawing, 15” x 22” paper size https://www.dustibonge.org/store.html support us Our mission: to promote the artistic legacy of Dusti Bongé (1903-1993) ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Bringing the Art to You

Week #34

Untitled (Orange and Gold Circle with Brown Curve), 1986, watercolor on paper, 6” x 8 3/4”. Private Collection.

Once Dusti Bongé turned to complete abstraction by the mid 1950s, she never turned back. This does not mean that she ever stopped experimenting, on the contrary she played with scale, materials, color palettes, and shaped canvases. She also explored a variety of media, using oils, watercolors, spray paint, felt tip markers and so on.

Her work also continued evolving within its abstract language. The highly expressionist gestures of the 1950s and 60s eventually evolved into slightly more defined, formal shapes. By the 1980s many of her works have clearly defined linear, curving, circular, or rectangular elements in abstract arrangements. Some of the interesting aspects of these works are Dusti’s sense of balance as she places her forms in relation to one another and the character of the marks she uses to define them.

This small watercolor painting offers a clear example of these. At first glance there are two oval shapes, roughly the same size that dominate the composition. Their placement at the center of the work might have been static, were it not for Dusti positioning them with their tops slightly titling away from one another. In addition, they are anchored by a curving form that swoops across the bottom of one to the top of the other. This move creates a kind of yin-yang effect with the ovals alternately coming into the foreground or receding into the background. The marks of the brown curve add a real sense of movement with the broad swaths of watercolor accentuated by continuous thin lines.

Have you seen this work?

Do you or someone you know have this work in their collection? If so, we would love to hear from you.

We are continually working to maintain as complete a record as possible, and to determine the location of all of Dusti Bongé's work. If you have information on this, or other works, you can contact us at [email protected]

We appreciate receiving any referrals to the existence and whereabouts of artworks by Dusti Bongé. Thank you.